Michelle Hartney has been an artist and activist for maternal health and obstetrics since the birth of her daughter and son: Shine and Seamus. While she says both of her deliveries were empowering, they were also very troubling prompting Hartney to create awareness through art about the high maternal mortality rate in the United States as well as obstetric abuse that she says is all too common for women across the country.
“I was shocked to discover that the way American women give birth now is rooted in a past that is riddled with misogyny, racism, and abuse. As I was reading as much as I could about the history of obstetrics in America, I was filling up my sketchbook with ideas and was flooded with visuals and topics that I wanted to make work about.”
For Hartney’s second delivery with her son, her doctor did not deliver her daughter, but she was instead assisted by a resident who wasn’t going into the field of obstetrics. She ended up fighting with the resident and a nurse about wanting to deliver her baby on her side; an option previously agreed upon by she and her doctor. Instead, they forcefully told her to “lie on her back” to deliver. Since Hartney had a doula who advocated for her during childbirth she was able to deliver on her side in four pushes, but the experience was difficult for her to handle.